Sunday, 1 December 2013

monthly roundup: nov 2013




Although I've been pretty terrible at blogging in November it's been a pretty good month pop culture-wise. I spent the first part of the month riding a huge nostalgia wave and rewatching Dawson's Creek!I should clarify that I basically spent a fortnight obsessing over 2 seasons of the show (s3&4) and odd episodes in S6 because they're the only ones worth bothering with (read: I only care about Pacey/Joey!). After years of being burnt by TV shows I've learned to become selective as a self-preservation tactic! Fandom should be fun - why subject yourself to stories/characters etc. you don't like?! That petered out and now I'm in the midst of my anticipated Hunger Games spiral. Unfortunately this is the one series where my self-preservation instinct falters - there's too much that I love to bail completely but there also so much to be frustrated with and bitter over!

Anyway! I've watched a lot of new movies that I really enjoyed.this month and I really love some of the music in the mix - if the Demi Levato track isn't one of your faves of the year then I'm not sure we can be friends!

books read

Holly Black - Black Heart (7/10)
Marcus Sedgwick - Midwinterblood (7/10)
Craig Thompson - Blankets (6/10)
Yann Martel - Life of Pi (9/10)




new movies watched


To Catch A Thief (6/10)
Philomena (7/10)
Gravity (8/10)
The Royal Tenembaums (8/10)
Thor: The Dark World (8/10)
On the Town (8/10)
The Kings of Summer (9/10)




music


Neon Lights (Betty Who Remix) - Demi Levato
Elastic Heart - Sia [feat. The Weeknd and Diplo]
The Habit - Lissie
About The Boy - Little Mix
Falling - Yuna
Such Great Heights - Anderson .Paak
Boy - Little Mix
The Boy Is Mine (Kulkid Remix) - Brandy and Monica
Everybody Wants To Rule The World - Lorde

Friday, 29 November 2013

film review: catching fire

The Hunger Games: Catching Fire (2013)
Director:  Francis Lawrence
Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth
Genre: Dystopian Drama/Action
Rating: 8/10
IMDB

Katniss Everdeen and Peeta Mellark become targets of the Capitol after their victory in the 74th Hunger Games sparks a rebellion in the Districts of Panem.


I've seen Catching Fire twice now and it is definitely true that I have thoughts and feelings about it but as with so much with this series my feelings are kind of a mess! It follows then that in true cop-out style I'm going to make lists and not really synthesise my thoughts. If you're a sucker for punishment and enjoy watching normally very rational 25yr olds spiralling over fictional teenagers I suggest you wander over to my THG tag on tumblr!

OBVIOUSLY, THIS POST CONTAINS SPOILERS FOR BOTH THE MOVIE AND THE BOOK!



Things I liked (Katniss and Gale edition):

  • The movie begins and ends with Katniss and Gale. More than that, the first hour did a real great of streamlining the first half of the book without screwing with their dynamic. The movie really made a point of stressing how important Gale is to Katniss and how that relationship will come to shape a lot of what comes later.
  • The whipping scene and its aftermath deserve a mention of their own because they were almost perfect. I was a little disappointed that we didn't get Katniss being hysterical and having to be forcibly removed from the room but otherwise it was right on point.
  • One of my favourite things about K/G is how tactile they are. So much of Katniss' narration of their relationship in the book revolves around their bodies; Katniss is particularly obsessed with his hands. Obviously that inner monologue isn't really a feature of the movies (a blessing and a curse!) but man, THEIR HANDS! In pretty much every scene but the first one they are touching. In that first scene they're still trying to 'go back' and the distance between them is startling and painful. But then the rebellion begins and that distance closes. There are no words for how delighted I am that the movie managed to depict that so well!)


Things I liked (other characters edition):

  • JHutch did a great job with Peeta again and I was glad that the script had a slightly better handle on his charming snarkiness. (See * however)
  • Jena Malone and Sam Claflin were great as Joanna - I have no strong feelings about them in the books but I enjoyed them a lot here.


Things I liked (production aesthetics edition):

  • The soundtrack was lovely. In parts it very eerily channels 'Lily's Theme' from Deathly Hallows Pt2 - that did not help my emotional state.
  • There were some gorgeous visuals. The close-ups of Katniss in the last few minutes were very striking (JLaw is pretty phenomenal at conveying pure emotion with her face). My favourite visual of the film however is just after the lady morphling dies - in silhouette against a sunset we see Katniss standing, Peeta kneeling in the water with a dead body floating between them - it's striking and terrible and a fairly accurate depiction of their relationship.
  • The original music that accompanies the film is a bit of a mixed bag tonally (they've decided to move away from the broken-down country/folk feel of the last one) but there are a couple of great tracks and perfect lyrics. I like Sia's 'Elastic Heart' a LOT!


Things I wasn't crazy about:

  • *I'm still not convinced by the movie version of Peeta. They're happy to cast him in the damsel-in-distress role but they don't seem to know how to incorporate his skills at emotional manipulation in to that and when that's important to the story (i.e. the pregnancy announcement) it never feels authentic because elsewhere he's depicted as being unswervingly good.
  • I think the movie needed to do more to ground the origins of the rebellions; it needed more about starvation and slave labour, it needed more about decades of suffering and destitution. The districts aren't just angry about the deaths of their children in the Games, they're angry about the ongoing deaths of their children at the hands of a tyrannical state.
  • The movie is pretty long and I think it could have done with less of the Games. I know why Peeta has to be such a liability but it became almost farcical - drowning, forcefield, poison gas, monkeys etc.) I think the message could have been adequately conveyed with a couple fewer 'Peeta's died again!' moments. I like Peeta, I like the inversion of traditional gender roles but it ended up being blackly comic.
  • Finally and most problematically, the movie didn't do much to assuage my anxieties about how the movies will deal with K/G/P in Mockingjay. This movie really downplayed K/P in the first half in its service of K/G. I'm worried that the movie producers view this relationship as existing in a standard either/or love triangle (this has not been helped by recent assertions by Francis Lawrence). I prefer to think of their relationship as a triumvirate but it's difficult to talk about that without ranting about MJ so I'll leave that there!


In short, I have feelings. They are intense and complicated. If nothing else the movie starred some very attractive people doing some excellent things with their faces and it could be recommended on that basis alone!

Saturday, 23 November 2013

monthly roundup: oct 2013




This is just a little late! I thought that I had posted it already - the mix has been up for weeks! Ooops!

books read

Patrick Ness - More Than This (6/10)
Holly Bourne - Soulmates (4/10)
Cheryl Strayed - Wild: From Lost to Found on the Pacific Crest Trail (7/10)
Cathy Brett - Everything is Fine (and Other Lies I Tell Myself) (6/10)
Holly Black - White Cat (7/10)
Veronica Roth - Allegiant (6/10)
Holly Black - Red Glove (6/10)



new movies watched

(I'm not sure if this is entirely accurate - if it is it's a little sad!)
Cloudy With A Chance of Meatballs (6/10)



craft projects




music


Move - Little Mix
Rikki - Blende
Here We Go Again - Johnny Stimson
We Sink - CHVRCHES
Keep on Walking - Gabrielle Aplin
You're Lucky to be Alive - CHVRCHES x Empire of the Sun
Unbound - CATHEDRALS
Electric Feel (Kygo Remix) - Henry Green

Wednesday, 23 October 2013

book review: allegiant by veronica roth

Allegiant by Veronica Roth
Genre: Dystopian YA
Rating: 6/10
Goodreads
The faction-based society that Tris Prior once believed in is shattered—fractured by violence and power struggles and scarred by loss and betrayal. So when offered a chance to explore the world past the limits she’s known, Tris is ready. Perhaps beyond the fence, she and Tobias will find a simple new life together, free from complicated lies, tangled loyalties, and painful memories.

But Tris’s new reality is even more alarming than the one she left behind. Old discoveries are quickly rendered meaningless. Explosive new truths change the hearts of those she loves. And once again, Tris must battle to comprehend the complexities of human nature—and of herself—while facing impossible choices about courage, allegiance, sacrifice, and love.


OBVIOUSLY THIS REVIEW CONTAINS MAJOR SPOILERS! READ ON AT YOUR OWN RISK!

I'm not sure what I was expecting but I wasn't expecting this. I'm not mad. I'm not raging. I'm not going to write a scathing review on Amazon. I am, however, very disappointed.

To get straight to it, I don't hate the idea of Tris dying. In principle I don't think it's a terrible way to go - at every point up to now she's been willing to sacrifice herself (if not always for the right reasons). In practice however it just felt wrong. It was underplayed and underwhelming - it should have been this huge moment about Tris and it didn't feel that way at all, it was about everyone but Tris. I was sceptical of the dual narration from the start - I liked Tris' unreliable narration and viewing this world solely through her perspective, it was flawed but it felt real. As Allegiant went on I couldn't shake the feeling that Tobias' POV was designed as a structural device; it wasn't there to give profound insight into his character, it was there to make sure that the story could continue when Tris was no longer able to narrate. I suppose that works in theory, you need some way to discuss the aftermath but it meant that Tris' death was completely overshadowed by people's reactions to it. It wasn't about her sacrifice, it was about Four's grief - she gave her life for a cause that was never really mentioned again. Worst of all, her sacrifice didn't seem to mean anything - there was no real sense that the world was very much different. The Bureau was one branch of a government that was never developed or explicitly discussed. Chicago and its inhabitants didn't lose their memories but what did they really gain? There was no suggestion that the broader societal conflict was cured, just that Chicago was now safe space (until the government deem otherwise).

To quote myself: "By no means Mockingjay awful but broaching Mockingjay levels of wasted potential."

I loved Insurgent. While I maintain that the plot was convoluted, I'm willing to forgive that because Veronica Roth did such a great job of balancing character development and broader themes/philosophies. As a Ravenclaw I was so excited to read a book exploring the philosophy and ethics of knowledge and it all played out not only through Tris' narrative butg in the character development of Jeanine, Caleb, Cara and Peter. In Allegiant however, those two processes were separated and Roth's ethics lessons completely overpowered character story. The moralising about the ethics of surveillance, of genetics, of intervention, of social structures and of race relations was so unsubtle and completely hijacked the book. I also grew increasingly frustrated with the suggestion that all governments are ultimately corrupt - it's tiresome and bleak - and for Roth to try an reverse that by suggesting that hope for Chicago lies in a democratically elected government felt really hollow.

Overall though, I'm most frustrated by the fact that Allegiant shelved the primary message of the series in order to solely focus on stories of grief, betrayal and sacrifice. It took me a little while to warm to Four but I always felt that one of (if not the) most powerful ideas in this series was the one that he articulated towards the end of Divergent:
"I think we've made a mistake," he says softly. "We've all started to put down the virtues of the other factions in the process of bolstering our own. I don't want to do that. I want to be brave, and selfless, and smart, and kind, and honest." He clears his throat. "I continually struggle with kindness."

The idea that our choices define us and that in order to be our best selves we must embrace numerous qualities not just cling to a single identity is really powerful and at the beginning of Allegiant it looks as though that's going to be the driving force of the narrative. Early on Four reflects on the changing dress code of the new factionless society: "...new clothes, but beneath them, my Dauntless tattoos. It is impossible to erase my choices. Especially these." His aptitude was Abnegation and he chose Dauntless but he chose to embrace all factions. His body is physically branded with his belief that we can only be our best selves if we look beyond our instincts and dominant qualities. Later on, after the discovery of the genetically pure/damaged divide, Tris tries to explain why it doesn't matter, why she is so uneasy about that distinction being used to define individuals and to account for social unrest. The set-up is perfect to develop this notion of nature vs. nurture and for the characters to come around to the conviction that your genes matter less than your choices, to articulate that message to the world and to embrace diversity. But that didn't happen. Instead, all that build-up was passed off as the story became about defending the city from a big bad that wanted to remove their memories. It was no longer about trying to fix a flawed ideology of human psychology and behaviour but about a dubiously waged war and a sabotage plan riddled with plot holes.

The book traded in its important and relateable message about agency, responsibility and self-awareness for an ethics lesson on abstract social injustices. Not only that but it executed that message poorly.

On the plus side, there were some A+ make-outs...

Tuesday, 15 October 2013

top ten tuesday: books i was forced to read


Top Ten Tuesday is a weekly meme hosted by The Broke and the Bookish.


top ten books i was 'forced' to read


This is quite the nostalgia trip! I'm twisting the meaning of this so that it's less focussed on 'forced to read' and instead features novels that I was encouraged to read for various school/uni classes and projects.


GCSE English Literature

The Old Man and the Sea by Ernest Hemingway
1984 by George Orwell

When my class revolted against having to read Hemingway (they objected to the endless pages describing hand cramp!), our teacher suggested 1984 as an alternative. That decision was quickly reversed when the class realised that 1984 was much longer and far more complex! I wasn't a particular fan of the Hemingway but as I liked history and was interested in the USSR, I really enjoyed 1984. It was the first dystopian novel I read and I'd encourage any fans of recent dystopias to check it out.


AS/A2 Level English Lit

Heart of Darkness by Joseph Conrad
The Bloody Chamber by Angela Carter
Dracula by Bram Stoker
The Handmaid's Tale by Margaret Atwood

My experience of English Literature in the Sixth Form was very positive - I had wonderful teachers who were enthusiastic and engaged and tiny classes (in Year 13 there were only two of us!)- but the curriculum was a bit of a mixed bag! Worst of the lot was Heart of Darkness which I really didn't connect with (I'm not sure I ever finished it). At the other extreme however, was the A2 synoptic paper on Gothic Literature which I loved! We had to study a whole range of novels/short stories and poems for that module but the two that I really loved were The Bloody Chamber and Dracula. Also, as there were only two of us in my A2 class, when it came to choosing a novel on which to write our coursework, our teacher gave us complete freedom. I chose The Handmaid's Tale and wrote my essay on the various depictions of women in the novel - it was the first time I'd ever really considered gender in an academic piece of work, it has a lot to answer for!


MRes Dissertation

Rebecca by Daphne du Maurier
Lady Chatterley's Lover by D. H. Lawrence
A Handful of Dust by Evelyn Waugh
The Good Soldier by Ford Madox Ford

It's a bit of a cheat to include Rebecca on here as I'd read this before I studied it but I didn't fully appreciate it until I went back to study it in more detail this summer. I read all of these books this summer as part of my dissertation on adultery in interwar Britain. Of the four Rebecca is my favourite, followed by The Good Soldier which really is stylistically excellent though more than a little depressing. A Handful of Dust is hard to like as all of the characters are so ridiculous but Waugh's gift for razor-sharp wit is evident throughout. I'm still not sure how I feel about Lady Chatterley - some of the prose is beautiful but Lawrence's constant moral/philosophical interjections are tedious in their misogyny. As someone who has something of a mental block when it comes to pre-1950s literature I was pleasantly surprised by how accessible all of these were and am glad that I had this incentive to read some modern classics!

Sunday, 13 October 2013

craft post: geraldine the giraffe

Say hello to Geraldine!


Ravelry project page


If I may say so myself, she's lovely! You can't tell through pictures but she has the most wonderful bobbly head!

Although the basic pattern wasn't that much more complicated than the one I used for Bozwonk, the colour work made it extra fiddly. If I was making her again I'd reposition the legs and add more beads to the body to make sure she sat upright but I feel that her tendency to recline adds to her charm!

Thursday, 10 October 2013

book review: more than this by patrick ness

More Than This by Patrick Ness
Genre: YA Sci-Fi?
Rating: 6/10
Goodreads
A boy named Seth drowns, desperate and alone in his final moments, losing his life as the pounding sea claims him. But then he wakes. He is naked, thirsty, starving. But alive. How is that possible? He remembers dying, his bones breaking, his skull dashed upon the rocks. So how is he here? And where is this place? It looks like the suburban English town where he lived as a child, before an unthinkable tragedy happened and his family moved to America. But the neighborhood around his old house is overgrown, covered in dust, and completely abandoned. What’s going on? And why is it that whenever he closes his eyes, he falls prey to vivid, agonizing memories that seem more real than the world around him? Seth begins a search for answers, hoping that he might not be alone, that this might not be the hell he fears it to be, that there might be more than just this. . . .


A couple of weeks ago I was complaining about how hard it can be to review books that I love, today I'm worried about reviewing a book that really disappointed me. I'm not quite sure which one is worse.

The real trouble here comes from that fact I have a huge amount of respect for Patrick Ness. I adored the 'Chaos Walking' trilogy and A Monster Calls and I really admire his attitudes towards his audience and young people in general and although I knew little about the premise, More Than This was one of my most anticipated reads of the year. Based on previous experience I expected a lot - I expected to be moved and deeply affected and I expected a book with an exciting plot and insightful character studies. I felt that the More Than This was trying for all that but it missed by a mile.

The book isn't bad - there was nothing that left me shaking my head or made me want to stop reading. It has some interesting things to say about the nature of reality and guilt and maybe younger readers would be more taken by the various morals of the story, but I never felt connected to the characters and so the story and its messages never resonated with me. Compared to the nuanced characters and plots in the Chaos Walking series everything here felt very superficial. By far the sections that I enjoyed the most were the flashbacks/memories - I found myself anticipating these interludes, hoping that they'd fill in the otherwise bland characterisation but they never managed to flesh out the personalities of the main characters. Too often things just happened to characters - the sense of agency that was so immediate and important to the development of Todd and Viola in The Knife of Never Letting Go etc. was sadly missing here. It's difficult to say much more without ruining the book's twists but I'd also add that the observations on internet culture, immigrant experience and child abuse were very heavy handed and the bluntness of their social commentary distracted from their role in characterisation/narrative.

I'll definitely read Ness' future publications because I refuse to let one disappointing experience completely tarnish my respect for him and his writing but (apologies in advance) I really hope there is more than this.